Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 66
... photographs , in addi- tion to the detailed descriptions of the muscles revealed in corresponding photographic plates . To this end , Duchenne dis- cusses the application of his work to painting and sculpture , using the work of ...
... photographs , in addi- tion to the detailed descriptions of the muscles revealed in corresponding photographic plates . To this end , Duchenne dis- cusses the application of his work to painting and sculpture , using the work of ...
Seite 74
... photographs , hailed as masterpieces by Witkin in his introduction . Burns's descriptions locate the photographs within the history of medical science , and Witkin's introduction locates them within an aesthetic narrative , yet neither ...
... photographs , hailed as masterpieces by Witkin in his introduction . Burns's descriptions locate the photographs within the history of medical science , and Witkin's introduction locates them within an aesthetic narrative , yet neither ...
Seite 182
... photographs with the value of life , to resurrect the memory of " human beings lost to history " by recognizing the value of order , of an orderly investigation ( ix ) . For Sante , ultimately the photographs are “ evidence of an end we ...
... photographs with the value of life , to resurrect the memory of " human beings lost to history " by recognizing the value of order , of an orderly investigation ( ix ) . For Sante , ultimately the photographs are “ evidence of an end we ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York