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Seite 101
While critics applaud Sherman's work for deconstructively denying the totality of a “ real Cindy , ” the meaning of her work is dependent upon the concept of the celebrity “ Cindy . ” Simultaneously , critics partially negate her ...
While critics applaud Sherman's work for deconstructively denying the totality of a “ real Cindy , ” the meaning of her work is dependent upon the concept of the celebrity “ Cindy . ” Simultaneously , critics partially negate her ...
Seite 106
Though this is a tempting argument , it essentially alleviates the producer of any responsibility for any production of meaning . Williamson appears to believe that if an artist utilizes signs that are ...
Though this is a tempting argument , it essentially alleviates the producer of any responsibility for any production of meaning . Williamson appears to believe that if an artist utilizes signs that are ...
Seite 189
La part de l'ombre admirably traces this give - and - take between photography and the real as a ( paradoxically ) logical unfolding of photographic meaning in recent work . Durand's investigation into current work ( from the 1980s in ...
La part de l'ombre admirably traces this give - and - take between photography and the real as a ( paradoxically ) logical unfolding of photographic meaning in recent work . Durand's investigation into current work ( from the 1980s in ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York