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Seite 61
The girl looks off to her right , out of the frame , with a sad expression on her face . The room is filled with ornate furniture ... Her hands are resting unevenly near her shoulders , seemingly out of the way of the viewer's look .
The girl looks off to her right , out of the frame , with a sad expression on her face . The room is filled with ornate furniture ... Her hands are resting unevenly near her shoulders , seemingly out of the way of the viewer's look .
Seite 67
Like Keiller's gynecological photographs , her body bears the erotic look of the photographer . As examples of Duchenne's literary / photographic experiment , each photograph of this woman corresponds to a narrative description in the ...
Like Keiller's gynecological photographs , her body bears the erotic look of the photographer . As examples of Duchenne's literary / photographic experiment , each photograph of this woman corresponds to a narrative description in the ...
Seite 69
The erotic look is made explicit within the sexualized encounter between the woman and the unseen man depicted in the photograph — and , more surprisingly , it is made discernible within the sexualized encounter between the viewer and ...
The erotic look is made explicit within the sexualized encounter between the woman and the unseen man depicted in the photograph — and , more surprisingly , it is made discernible within the sexualized encounter between the viewer and ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York