Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 10
... girls and suchlike often do ; on the contrary they were thoroughly respectable and respectful in behaviours ; and one of them , at least , was brisk and clearheaded , and equal to any country girl for beauty . ( Qtd . in Hiley 15 ) ...
... girls and suchlike often do ; on the contrary they were thoroughly respectable and respectful in behaviours ; and one of them , at least , was brisk and clearheaded , and equal to any country girl for beauty . ( Qtd . in Hiley 15 ) ...
Seite 38
... girl . . . . At last I had the picture ( which was not a good one ) and said goodnight .... Here I am sorry to admit that as I left the cottage , Ellen started up and ran after me , dragging Jane with her , to beg that I would come into ...
... girl . . . . At last I had the picture ( which was not a good one ) and said goodnight .... Here I am sorry to admit that as I left the cottage , Ellen started up and ran after me , dragging Jane with her , to beg that I would come into ...
Seite 150
... girl's voice sets up the drama in voice - over : " My story begins before I was born . My great - great grandmother ... saw her family coming apart . " The girl continues as the storyteller : " The old souls guided me into the new world ...
... girl's voice sets up the drama in voice - over : " My story begins before I was born . My great - great grandmother ... saw her family coming apart . " The girl continues as the storyteller : " The old souls guided me into the new world ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York