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Seite 144
The influence of Deleuze on Australian feminists might be more direct than in Britain and the US at least for now . As Meaghan Morris writes , “ In the 70s , I learned very little from British feminist film theory ; I was not interested ...
The influence of Deleuze on Australian feminists might be more direct than in Britain and the US at least for now . As Meaghan Morris writes , “ In the 70s , I learned very little from British feminist film theory ; I was not interested ...
Seite 145
For apparatus and feminist film theory , “ spectator " has , to a degree , been determinant . “ Face ” could be a mask , a masquerade , a mimicry . The tenth definition is one of worth or value . In A Thousand Plateaus , Deleuze and ...
For apparatus and feminist film theory , “ spectator " has , to a degree , been determinant . “ Face ” could be a mask , a masquerade , a mimicry . The tenth definition is one of worth or value . In A Thousand Plateaus , Deleuze and ...
Seite 179
Needless to say , this is hardly the effect we might expect from a feminist critique of representations of male sexuality . Given developments within feminist cultural criticism over the past few decades , a book like The Male Nude in ...
Needless to say , this is hardly the effect we might expect from a feminist critique of representations of male sexuality . Given developments within feminist cultural criticism over the past few decades , a book like The Male Nude in ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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