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Seite 63
The Mechanism of Human Facial Expression represents his attempt to accomplish that task . Duchenne understood the alliance of aesthetics and science to be tremendously difficult . In the foreword to one of his pho tographic albums ...
The Mechanism of Human Facial Expression represents his attempt to accomplish that task . Duchenne understood the alliance of aesthetics and science to be tremendously difficult . In the foreword to one of his pho tographic albums ...
Seite 64
Because this actor , trained in contemporary expressive arts , was unable to control his facial muscles completely and demonstrate the full range of accurate expression in its specific detail , Duchenne turned to his patients in the ...
Because this actor , trained in contemporary expressive arts , was unable to control his facial muscles completely and demonstrate the full range of accurate expression in its specific detail , Duchenne turned to his patients in the ...
Seite 70
logue to her , Duchenne projects an erotic medical desire that is ultimately ironic , for it is the means by which Duchenne purports to describe the correspondence between the subject's emotions and facial expression .
logue to her , Duchenne projects an erotic medical desire that is ultimately ironic , for it is the means by which Duchenne purports to describe the correspondence between the subject's emotions and facial expression .
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York