Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 113
... experience of the stereotype . Highlighting this reactionary approach to culture and experience , Max Kozloff has called Sherman " a ventriloquist of the culture's sentiments " ( 94 ) . What culture ? Whose culture ? Is there only one ...
... experience of the stereotype . Highlighting this reactionary approach to culture and experience , Max Kozloff has called Sherman " a ventriloquist of the culture's sentiments " ( 94 ) . What culture ? Whose culture ? Is there only one ...
Seite 130
... experience " ( 87 ) . Thus , the listener has a stake in hearing and in remembering the story which exists in " the realm of living speech , " of shared “ companionship " ( 100 ) . This living speech , forged in mutual experience , and ...
... experience " ( 87 ) . Thus , the listener has a stake in hearing and in remembering the story which exists in " the realm of living speech , " of shared “ companionship " ( 100 ) . This living speech , forged in mutual experience , and ...
Seite 158
... experience or through a mediated experience ” ( 28 ) . She poses three categories of intersubjectivity : " The first is the experience of the Aboriginal " person interacting with other Aboriginal people , located within Aboriginal ...
... experience or through a mediated experience ” ( 28 ) . She poses three categories of intersubjectivity : " The first is the experience of the Aboriginal " person interacting with other Aboriginal people , located within Aboriginal ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York