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Seite 8
Are not the very conditions of scholarship and research motivated by drives that are uncomfortably similar to those which brought this classic Victorian archive into existence ? Is research itself not part of that great disciplinary ...
Are not the very conditions of scholarship and research motivated by drives that are uncomfortably similar to those which brought this classic Victorian archive into existence ? Is research itself not part of that great disciplinary ...
Seite 36
The existence of these photographs in the Munby archive indicates not only their polyvalence , but also a much less stable visual field which was fractured by other - psychic – exigencies precisely because of their specificity as images ...
The existence of these photographs in the Munby archive indicates not only their polyvalence , but also a much less stable visual field which was fractured by other - psychic – exigencies precisely because of their specificity as images ...
Seite 114
Mulvey's reading of Sherman's silence as political is based on the assumption that Sherman is fully conscious of women's historical silence , an assumption that is not substantiated by Sherman's interviews . The existence of ...
Mulvey's reading of Sherman's silence as political is based on the assumption that Sherman is fully conscious of women's historical silence , an assumption that is not substantiated by Sherman's interviews . The existence of ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York