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Seite 19
Here is a drawing by the Dutch artist Vincent Van Gogh , a primitive and almost amateur attempt at a fully developed iconography ( figure 7 ) . For all its beginner's awkwardness , the drawing comprises the key components of a clichéd ...
Here is a drawing by the Dutch artist Vincent Van Gogh , a primitive and almost amateur attempt at a fully developed iconography ( figure 7 ) . For all its beginner's awkwardness , the drawing comprises the key components of a clichéd ...
Seite 21
paintings and drawings , one showing the nature of women's labor underground , pushing and hauling the coal - ladened trucks from the cutting face to the collection depots ( figure 10 ) . However feebly realized , Van Gogh's drawing ...
paintings and drawings , one showing the nature of women's labor underground , pushing and hauling the coal - ladened trucks from the cutting face to the collection depots ( figure 10 ) . However feebly realized , Van Gogh's drawing ...
Seite 55
consistent with established norms from painting and drawing , and a scientifically regulated catalogue of arrangements of the patient's body to reveal the truth of his or her affliction . Thus , the pose marks the intersection of these ...
consistent with established norms from painting and drawing , and a scientifically regulated catalogue of arrangements of the patient's body to reveal the truth of his or her affliction . Thus , the pose marks the intersection of these ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York