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Seite 69
This narrative of intrusion into a woman's dressing room performs the narrativized intrusion of the typically hidden desire of the subject of the medical photographer himself ; though Duchenne tries to duck out of the right side of the ...
This narrative of intrusion into a woman's dressing room performs the narrativized intrusion of the typically hidden desire of the subject of the medical photographer himself ; though Duchenne tries to duck out of the right side of the ...
Seite 106
denies male desire ( “ specifically , the masculine desire to fix the woman in a stable and stabilizing identity ” ) because Sherman does not portray one identity but many ( 75 ) . However , I would argue that all of the identities that ...
denies male desire ( “ specifically , the masculine desire to fix the woman in a stable and stabilizing identity ” ) because Sherman does not portray one identity but many ( 75 ) . However , I would argue that all of the identities that ...
Seite 116
The term “ double mimesis " is derived from Mary Ann Doane , The Desire to Desire . 5 This desire to be shocking has also ruled Madonna's actions . 6 Sherman showed up to work one day at Artists Space in New York wearing a nurse's ...
The term “ double mimesis " is derived from Mary Ann Doane , The Desire to Desire . 5 This desire to be shocking has also ruled Madonna's actions . 6 Sherman showed up to work one day at Artists Space in New York wearing a nurse's ...
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York