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Seite 98
Berkeley Journal for Theoretical Studies in Media and Culture. Le Paris secret des années 30. Paris : Gallimard , 1976 . Buck - Morss , Susan . The Dialectics of Seeing : Walter Benjamin and the Arcades Project .
Berkeley Journal for Theoretical Studies in Media and Culture. Le Paris secret des années 30. Paris : Gallimard , 1976 . Buck - Morss , Susan . The Dialectics of Seeing : Walter Benjamin and the Arcades Project .
Seite 113
Berkeley Journal for Theoretical Studies in Media and Culture. notes that within the alphabet of phallocentric representation she can only appear as She - man ” ( Phelan 68 ) . Cute wordplays have come to replace the critical .
Berkeley Journal for Theoretical Studies in Media and Culture. notes that within the alphabet of phallocentric representation she can only appear as She - man ” ( Phelan 68 ) . Cute wordplays have come to replace the critical .
Seite 157
Berkeley Journal for Theoretical Studies in Media and Culture ... ( in an article on Moffatt's films ) for dialogue : " We need to contribute to the decentering of Western culture ... through the challenges that other cultures offer .
Berkeley Journal for Theoretical Studies in Media and Culture ... ( in an article on Moffatt's films ) for dialogue : " We need to contribute to the decentering of Western culture ... through the challenges that other cultures offer .
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Inhalt
The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York