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Seite 143
becomes , I think , the basis for Deleuze and Guattari's notion of faciality in A Thousand Plateaus , a concept which links face , race , and cinema . There is a close affinity between the notion of faciality and photography .
becomes , I think , the basis for Deleuze and Guattari's notion of faciality in A Thousand Plateaus , a concept which links face , race , and cinema . There is a close affinity between the notion of faciality and photography .
Seite 145
In fact , their “ machine of faciality ” is cinema : “ That is the definition of film , black hole and white wall , screen and ... Unlike the “ cinematic apparatus ” of Jean - Louis Baudry , Jean - Louis Comolli , and Christian Metz ...
In fact , their “ machine of faciality ” is cinema : “ That is the definition of film , black hole and white wall , screen and ... Unlike the “ cinematic apparatus ” of Jean - Louis Baudry , Jean - Louis Comolli , and Christian Metz ...
Seite 197
Speaking of new work in video , for example , Bellour lauds the ways “ it engages in an unprecedented situation with the arts of mechanical reproduction that are anterior to it - photography and cinema - by opening up a space in which ...
Speaking of new work in video , for example , Bellour lauds the ways “ it engages in an unprecedented situation with the arts of mechanical reproduction that are anterior to it - photography and cinema - by opening up a space in which ...
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York