Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 131
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
Seite 143
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
Seite 145
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic African African-American analysis Arthur Munby artist avant-garde become Bellour blur body boredom bourgeois Brassaï calls Cambridge camera Camera Lucida Cindy Sherman cinema closeup construction contemporary critical critique culture Dash Daughters Deleuze desire discourse Duchenne Duchenne's Durand Eisenstein Ellen emotions ennui essay example experience face facial fantasy female feminine feminism feminist feminist film theory fetish figure film Fredric Jameson gaze gender girl hooks ical Jayamanne Jedda Jimmy Little Julie Dash Kracauer Krauss L'entre-images labor Langton look Madonna male meaning medical photography Mignon mise en scène modern mother Munby Munby's Murray narrative Night Cries nineteenth century nude object painting Paris photographs politics pose postmodern raphy relation remake representation reveals semiotic sexual difference shock signs social space specific story theater theory thinking tion tograph trace Tracey Moffatt Trans truth viewer vision visual woman women writing York