Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 165
... camera lens , however , this false eye , can do so , but only according to how it is used . It is therefore more profound than the eye , on which , however , every- thing depends . This is what blur foregrounds and touches in the ...
... camera lens , however , this false eye , can do so , but only according to how it is used . It is therefore more profound than the eye , on which , however , every- thing depends . This is what blur foregrounds and touches in the ...
Seite 183
... Camera Lucida . Trans . Richard Howard . New York : Hill , 1981 . Kozloff , Max . " Stilled Lives . " Artforum Summer 1993 : 75-79 . Sontag , Susan . On Photography . New York : Farrar , 1977 . Like a Film : Ideological Fantasy on ...
... Camera Lucida . Trans . Richard Howard . New York : Hill , 1981 . Kozloff , Max . " Stilled Lives . " Artforum Summer 1993 : 75-79 . Sontag , Susan . On Photography . New York : Farrar , 1977 . Like a Film : Ideological Fantasy on ...
Seite 205
... Camera Obscura , Discourse , and Wide Angle . She has also contributed an essay to Fugitive Images : From Photography to Video , forthcoming from Indiana Univ . Press . Nadine Lemmon teaches photographic theory and history at City ...
... Camera Obscura , Discourse , and Wide Angle . She has also contributed an essay to Fugitive Images : From Photography to Video , forthcoming from Indiana Univ . Press . Nadine Lemmon teaches photographic theory and history at City ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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