Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 5
... bourgeois semiotics of the visibly gendered and fixedly dif- ferent bodies of " man " and " woman " as the very sign and con- firmation of the naturalness of difference , hierarchy , and hence male power . Did images of laboring women's ...
... bourgeois semiotics of the visibly gendered and fixedly dif- ferent bodies of " man " and " woman " as the very sign and con- firmation of the naturalness of difference , hierarchy , and hence male power . Did images of laboring women's ...
Seite 25
... bourgeois reader whose income may be supplied by shares in the great mining companies . The text can then discuss the social customs and habits of this " race " apart . They are , we are then told , illiterate and irregular ; their ...
... bourgeois reader whose income may be supplied by shares in the great mining companies . The text can then discuss the social customs and habits of this " race " apart . They are , we are then told , illiterate and irregular ; their ...
Seite 103
... bourgeois institution over the reception and production of meaning in art . As evidenced by her acceptance in and her acceptance of the distribution apparatus , Sherman has not challenged either the bourgeois control of art or the ...
... bourgeois institution over the reception and production of meaning in art . As evidenced by her acceptance in and her acceptance of the distribution apparatus , Sherman has not challenged either the bourgeois control of art or the ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York