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Seite 55
Because employment required a rigorous training in illustration and anatomy , Ollerenshaw argues , the medical artist was able to meet the demands of both aesthetics and medicine . However , with the technological advances of ...
Because employment required a rigorous training in illustration and anatomy , Ollerenshaw argues , the medical artist was able to meet the demands of both aesthetics and medicine . However , with the technological advances of ...
Seite 85
... especially in the attitudes and practices of those who pursued “ an immoderately sensual life ” ) . Instead , he argues that , by the turn of the century , boredom had become available to all through the leveling effects of a money ...
... especially in the attitudes and practices of those who pursued “ an immoderately sensual life ” ) . Instead , he argues that , by the turn of the century , boredom had become available to all through the leveling effects of a money ...
Seite 155
As hooks argues , “ to de - center the white patriarchal gaze , we have to focus on someone else for a change . ... the film takes up that group that is truly on the bottom of this society's race - sex hierarchy .
As hooks argues , “ to de - center the white patriarchal gaze , we have to focus on someone else for a change . ... the film takes up that group that is truly on the bottom of this society's race - sex hierarchy .
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York