Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 128
... Moffatt ( Aus- tralia ) and the films of Julie Dash ( US ) recover history through fiction . For Moffatt , the historical truth of Nice Colored Girls ( 1987 ) is the exploitation of Aboriginal women by British colo- nialists . Moffatt ...
... Moffatt ( Aus- tralia ) and the films of Julie Dash ( US ) recover history through fiction . For Moffatt , the historical truth of Nice Colored Girls ( 1987 ) is the exploitation of Aboriginal women by British colo- nialists . Moffatt ...
Seite 133
... Moffatt says : " My work may feature brown faces but it could be anybody's story . " She wants to be taken as an artist , not an Aboriginal artist . “ Yes I am Aboriginal , but I have the right to be avant - garde like any white artist ...
... Moffatt says : " My work may feature brown faces but it could be anybody's story . " She wants to be taken as an artist , not an Aboriginal artist . “ Yes I am Aboriginal , but I have the right to be avant - garde like any white artist ...
Seite 135
... Moffatt says : " I used to do it , I used to do it with my sisters ... we're not little angels . . . . [ I'm a ] generation that feels comfortable in talking about Aboriginal society ” ( qtd . in Rutherford 152 ) . Just as Moffatt ...
... Moffatt says : " I used to do it , I used to do it with my sisters ... we're not little angels . . . . [ I'm a ] generation that feels comfortable in talking about Aboriginal society ” ( qtd . in Rutherford 152 ) . Just as Moffatt ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic African African-American analysis Arthur Munby artist avant-garde become Bellour blur body boredom bourgeois Brassaï calls Cambridge camera Camera Lucida Cindy Sherman cinema closeup construction contemporary critical critique culture Dash Daughters Deleuze desire discourse Duchenne Duchenne's Durand Eisenstein Ellen emotions ennui essay example experience face facial fantasy female feminine feminism feminist feminist film theory fetish figure film Fredric Jameson gaze gender girl hooks ical Jayamanne Jedda Jimmy Little Julie Dash Kracauer Krauss L'entre-images labor Langton look Madonna male meaning medical photography Mignon mise en scène modern mother Munby Munby's Murray narrative Night Cries nineteenth century nude object painting Paris photographs politics pose postmodern raphy relation remake representation reveals semiotic sexual difference shock signs social space specific story theater theory thinking tion tograph trace Tracey Moffatt Trans truth viewer vision visual woman women writing York