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Seite 63
However , unlike his colleagues , Duchenne was committed to using pho tography to bring both medicine and aesthetics to higher levels . The Mechanism of Human Facial Expression represents his attempt to accomplish that task .
However , unlike his colleagues , Duchenne was committed to using pho tography to bring both medicine and aesthetics to higher levels . The Mechanism of Human Facial Expression represents his attempt to accomplish that task .
Seite 66
While Duchenne distinguishes the " scientific ” section from the “ aesthetic ” section in their titles , he doesn't sustain any distinction between the two within the sections themselves . For example , each chapter in the scientific ...
While Duchenne distinguishes the " scientific ” section from the “ aesthetic ” section in their titles , he doesn't sustain any distinction between the two within the sections themselves . For example , each chapter in the scientific ...
Seite 70
logue to her , Duchenne projects an erotic medical desire that is ultimately ironic , for it is the means by which Duchenne purports to describe the correspondence between the subject's emotions and facial expression .
logue to her , Duchenne projects an erotic medical desire that is ultimately ironic , for it is the means by which Duchenne purports to describe the correspondence between the subject's emotions and facial expression .
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The Spaces of Sexuality | 3 |
DISCOURSE 16 | 16 |
Morris Sydney Laura Mulvey London Patrice Petro UWM Mary | 25 |
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Aboriginal aesthetic American analysis appears argues artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York