Discourse, Band 15,Ausgaben 2-31993 |
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Seite 30
... word ] which by its absence ruins all other words . It con- taminates . . . . This word which does not exist is nonetheless there , it awaits you , just around the corner of lan- guage , it defies you . Marguerite Duras There is nothing ...
... word ] which by its absence ruins all other words . It con- taminates . . . . This word which does not exist is nonetheless there , it awaits you , just around the corner of lan- guage , it defies you . Marguerite Duras There is nothing ...
Seite 16
... word in the history of ideas -in German ' Aufklärung . ' " The word " Aufklärung " will accrete additional meanings over the course of the film , but here it is literally the first word spoken by the voice - over after the text quoted ...
... word in the history of ideas -in German ' Aufklärung . ' " The word " Aufklärung " will accrete additional meanings over the course of the film , but here it is literally the first word spoken by the voice - over after the text quoted ...
Seite 181
... word reserved for academics walking the thin line between publish or perish . Travel metaphors - the two words yoke wanderers and writing as easily as a lap computer lets the former lap up the miles doing the latter - travel metaphors ...
... word reserved for academics walking the thin line between publish or perish . Travel metaphors - the two words yoke wanderers and writing as easily as a lap computer lets the former lap up the miles doing the latter - travel metaphors ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York