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Seite 69
... both by the actors and by the audience — to mark “ authentic feeling , " the space of interiority - and interiors as privileged space ( the action of TV takes place mostly in the home or in other enclosed , “ private " spaces ) .
... both by the actors and by the audience — to mark “ authentic feeling , " the space of interiority - and interiors as privileged space ( the action of TV takes place mostly in the home or in other enclosed , “ private " spaces ) .
Seite 73
... as a form of cognitive mis - mapping , which takes as its unrealistic point of departure a privatized and depoliticized “ I , ” cut away from its social and historical ground and melodramatically reconstructed within private space .
... as a form of cognitive mis - mapping , which takes as its unrealistic point of departure a privatized and depoliticized “ I , ” cut away from its social and historical ground and melodramatically reconstructed within private space .
Seite 75
In this case , it has the effect of locking women into the sphere ( home ) which has been for centuries the claustrophobic space of their oppression . What is alarming is not that the home and the private have been appropriated by the ...
In this case , it has the effect of locking women into the sphere ( home ) which has been for centuries the claustrophobic space of their oppression . What is alarming is not that the home and the private have been appropriated by the ...
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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