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Seite 37
Caught only as fugitive memory , these women are always already narrativized , their passivity always already triangulated through an obscure , other scene which assures the division of the narrative scene from the scene of narration .
Caught only as fugitive memory , these women are always already narrativized , their passivity always already triangulated through an obscure , other scene which assures the division of the narrative scene from the scene of narration .
Seite 44
While the opening images of L'Amant displace the scene of writing , and the story itself works to destabilize any subject position for character , the concluding pages problematize any fixed position for the reader .
While the opening images of L'Amant displace the scene of writing , and the story itself works to destabilize any subject position for character , the concluding pages problematize any fixed position for the reader .
Seite 61
Roth meanwhile is taking notes and proceeds to include the scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the ...
Roth meanwhile is taking notes and proceeds to include the scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the ...
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Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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