Im Buch
Ergebnisse 1-3 von 63
Seite 155
The well - to - do , who can afford the fifty - thousand dollar surrogate - produced or in vitro infant ? How about the rest of us ? If Turim wants an acknowledgment of the anguish of people thwarted in their desires to have ( more ) ...
The well - to - do , who can afford the fifty - thousand dollar surrogate - produced or in vitro infant ? How about the rest of us ? If Turim wants an acknowledgment of the anguish of people thwarted in their desires to have ( more ) ...
Seite 197
... a meaning for the Wedgwood name - and thence for a brand which was stamped , literally , on all his produce , and whose associated image defined and differentiated whatever was produced or distributed under that sign " ( 10 ) .
... a meaning for the Wedgwood name - and thence for a brand which was stamped , literally , on all his produce , and whose associated image defined and differentiated whatever was produced or distributed under that sign " ( 10 ) .
Seite 139
A particular cultural product counts as “ folk music , ” in the strong sense of that expression , if it has been produced and transformed anonymously over generations , outside of any modern culture industry , by artists or ...
A particular cultural product counts as “ folk music , ” in the strong sense of that expression , if it has been produced and transformed anonymously over generations , outside of any modern culture industry , by artists or ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
American analysis appears argues attempt Auschwitz authority become beginning body camera characters cinema claims constituted context critical critical pedagogy culture death desire discourse discussion distinction dominant drawing effect emotion essay example experience face fact feeling feminine feminist figure film Forster's frame French gaze gender grief human identity individual interest issue jazz kind later lives look male Maus meaning memory mother mourning move narrative never object once organization Passion pedagogy performance photograph picture political position possible postmodern practices present produced provides question racial reference relation representation represents scene seems sense sexual shame shows social space specific story studies suggests swing taken theory things tion University violence vision voice woman women writing York