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Seite 41
“ I love your present , devastated face more than when you were young " ( 9 ) , remarks her young lover , inscribing the devastated face of the scene of writing as an object triangulated through the eyes of a person too young to have ...
“ I love your present , devastated face more than when you were young " ( 9 ) , remarks her young lover , inscribing the devastated face of the scene of writing as an object triangulated through the eyes of a person too young to have ...
Seite 46
Voice and memory work against one another to weaken narrativity and disrupt the effect of continuity and intelligibility while dispersing story along nodes of present and past , unmarked by temporal or motivating indicators .
Voice and memory work against one another to weaken narrativity and disrupt the effect of continuity and intelligibility while dispersing story along nodes of present and past , unmarked by temporal or motivating indicators .
Seite 180
By revealing the effects of a common ideological substrate on all significant shifts in the various artistic and cultural practices , Vidler's characterization of the present state of authorial inscription further confirms the validity ...
By revealing the effects of a common ideological substrate on all significant shifts in the various artistic and cultural practices , Vidler's characterization of the present state of authorial inscription further confirms the validity ...
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Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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