Im Buch
Ergebnisse 1-3 von 25
Seite 130
been the traditional instrument for the production and organization of emotion and the production of the kind of individuals whose affective organization best supports the social order . The principal work of the family , in other words ...
been the traditional instrument for the production and organization of emotion and the production of the kind of individuals whose affective organization best supports the social order . The principal work of the family , in other words ...
Seite 132
There is nothing necessary , of course , in the organization of emotion through a process that begins with and sustains itself on the pedagogic violence of abjection and the repudiation of the maternal .
There is nothing necessary , of course , in the organization of emotion through a process that begins with and sustains itself on the pedagogic violence of abjection and the repudiation of the maternal .
Seite 188
While their organization of the book makes a bid for interdisciplinary relevance , the implicit counterschema does more : it draws a disciplinary matrix that extends and transforms the traditions of performance scholarship .
While their organization of the book makes a bid for interdisciplinary relevance , the implicit counterschema does more : it draws a disciplinary matrix that extends and transforms the traditions of performance scholarship .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
American analysis appears argues attempt Auschwitz authority become beginning body camera characters cinema claims constituted context critical critical pedagogy culture death desire discourse discussion distinction dominant drawing effect emotion essay example experience face fact feeling feminine feminist figure film Forster's frame French gaze gender grief human identity individual interest issue jazz kind later lives look male Maus meaning memory mother mourning move narrative never object once organization Passion pedagogy performance photograph picture political position possible postmodern practices present produced provides question racial reference relation representation represents scene seems sense sexual shame shows social space specific story studies suggests swing taken theory things tion University violence vision voice woman women writing York