Im Buch
Ergebnisse 1-3 von 52
Seite 44
Suddenly , there next to me , was a person seated in the place of my mother , she was not my mother , she has her face ... ( 105 ) Her mother's disappearance is not a loss , but the absolute failure of temporal cohesion where all the ...
Suddenly , there next to me , was a person seated in the place of my mother , she was not my mother , she has her face ... ( 105 ) Her mother's disappearance is not a loss , but the absolute failure of temporal cohesion where all the ...
Seite 117
“ Mother is dead , Dad ! Don't talk about yourself now , please ! ” I shouted at him , forgetting the presence of the others . For a moment he shrank , and then he held his head in his hands . He said to the doctors , “ I am always ...
“ Mother is dead , Dad ! Don't talk about yourself now , please ! ” I shouted at him , forgetting the presence of the others . For a moment he shrank , and then he held his head in his hands . He said to the doctors , “ I am always ...
Seite 118
weather had taken my mother's life . Alone in my car , I realized how cold it was . The past two hours did not seem real . I started the motor , and when I reached the county road I saw in the rear view mirror the huge gray limousine ...
weather had taken my mother's life . Alone in my car , I realized how cold it was . The past two hours did not seem real . I started the motor , and when I reached the county road I saw in the rear view mirror the huge gray limousine ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
American analysis appears argues attempt Auschwitz authority become beginning body camera characters cinema claims constituted context critical critical pedagogy culture death desire discourse discussion distinction dominant drawing effect emotion essay example experience face fact feeling feminine feminist figure film Forster's frame French gaze gender grief human identity individual interest issue jazz kind later lives look male Maus meaning memory mother mourning move narrative never object once organization Passion pedagogy performance photograph picture political position possible postmodern practices present produced provides question racial reference relation representation represents scene seems sense sexual shame shows social space specific story studies suggests swing taken theory things tion University violence vision voice woman women writing York