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Seite 57
... fragments can exaggerate a way of speaking that I've come to rather envy in some of my male colleagues : the self - assurance that everything they say is of interest , not only of interest but relevant , not only relevant but fact .
... fragments can exaggerate a way of speaking that I've come to rather envy in some of my male colleagues : the self - assurance that everything they say is of interest , not only of interest but relevant , not only relevant but fact .
Seite 78
... this appropriation works : “ He [ Edward Zwick , creator and producer of the series ) is affirming the series ' interest in the domestic sphere , while disavowing the associations of that interest with women and feminists ” ( 89 ) .
... this appropriation works : “ He [ Edward Zwick , creator and producer of the series ) is affirming the series ' interest in the domestic sphere , while disavowing the associations of that interest with women and feminists ” ( 89 ) .
Seite 97
I do not intend to disregard this tension , but will instead suggest that Forster retained an interest in femininity and , perhaps unusually for his time , the idea of a critical analogy between femininity and male homosexuality .
I do not intend to disregard this tension , but will instead suggest that Forster retained an interest in femininity and , perhaps unusually for his time , the idea of a critical analogy between femininity and male homosexuality .
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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