Im Buch
Ergebnisse 1-3 von 49
Seite 67
In this situation the male subject — whose position and gender prerogatives have been weakened — panics — but he is not dead . The contemporary production of “ emotional masculinity ” ( an obsolete form of affect ) is a strategy of self ...
In this situation the male subject — whose position and gender prerogatives have been weakened — panics — but he is not dead . The contemporary production of “ emotional masculinity ” ( an obsolete form of affect ) is a strategy of self ...
Seite 74
Can this representation of masculinity through the discourse of emotions be regarded as transgressive of traditional definitions of gender ? If we consider male tears within the specific circumstances and the means through which they ...
Can this representation of masculinity through the discourse of emotions be regarded as transgressive of traditional definitions of gender ? If we consider male tears within the specific circumstances and the means through which they ...
Seite 132
The point pertains to the organization of emotion and the education of gender personalities through a distinction between “ positional ” and “ personal ” identification processes ( 173-90 ) . Women's mothering sets up an affective ...
The point pertains to the organization of emotion and the education of gender personalities through a distinction between “ positional ” and “ personal ” identification processes ( 173-90 ) . Women's mothering sets up an affective ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
American analysis appears argues attempt Auschwitz authority become beginning body camera characters cinema claims constituted context critical critical pedagogy culture death desire discourse discussion distinction dominant drawing effect emotion essay example experience face fact feeling feminine feminist figure film Forster's frame French gaze gender grief human identity individual interest issue jazz kind later lives look male Maus meaning memory mother mourning move narrative never object once organization Passion pedagogy performance photograph picture political position possible postmodern practices present produced provides question racial reference relation representation represents scene seems sense sexual shame shows social space specific story studies suggests swing taken theory things tion University violence vision voice woman women writing York