Discourse, Band 15,Ausgaben 2-31993 |
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Seite 43
... frame of representation , it may not always be so easy to control which frame . As Norman Bryson has eloquently suggested , " The life of vision is one of endless wanderlust , and in its carnal form the eye is nothing but desire ...
... frame of representation , it may not always be so easy to control which frame . As Norman Bryson has eloquently suggested , " The life of vision is one of endless wanderlust , and in its carnal form the eye is nothing but desire ...
Seite 63
... frame ; they are also within the frame . Silverman : The best strategy for marking the permeability of the frame is to put things into it which don't normally belong there . Farocki : Paradoxically , yes . And in fact the strange ...
... frame ; they are also within the frame . Silverman : The best strategy for marking the permeability of the frame is to put things into it which don't normally belong there . Farocki : Paradoxically , yes . And in fact the strange ...
Seite 65
... frames per second are lost . The movement is lost . - Silverman : But what is a film ? How does one frame it ? It all comes back again to this issue of " betweenness , " or to state the matter slightly differently — to a conversation ...
... frames per second are lost . The movement is lost . - Silverman : But what is a film ? How does one frame it ? It all comes back again to this issue of " betweenness , " or to state the matter slightly differently — to a conversation ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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