Discourse, Band 15,Ausgaben 2-31993 |
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Seite 21
... face to face with the limitations of the book's fairy tale mode , with its polar- ization of mice and cats , good guys and bad : her name “ mala ” emphasizes her position as foil to the idealized , deceased Anja and sets her up , at ...
... face to face with the limitations of the book's fairy tale mode , with its polar- ization of mice and cats , good guys and bad : her name “ mala ” emphasizes her position as foil to the idealized , deceased Anja and sets her up , at ...
Seite 41
... face more than when you were young " ( 9 ) , remarks her young lover , inscribing the devas- tated face of the scene of writing as an object triangulated through the eyes of a person too young to have any memory of her face as written ...
... face more than when you were young " ( 9 ) , remarks her young lover , inscribing the devas- tated face of the scene of writing as an object triangulated through the eyes of a person too young to have any memory of her face as written ...
Seite 88
... face of a human be described with certainty so that it can be recognized by everyone ? - By everyone - also a machine . How to describe a face ? The police is not yet able to register the characteristics of a human face that remain the ...
... face of a human be described with certainty so that it can be recognized by everyone ? - By everyone - also a machine . How to describe a face ? The police is not yet able to register the characteristics of a human face that remain the ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York