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In that essay I took Barthes's Camera Lucida as my countertext to Freud's “ Mourning and Melancholia . ” Barthes , refusing the Freudian model of mourning , seeks instead to sustain the strength of his grief , but not out of a ...
In that essay I took Barthes's Camera Lucida as my countertext to Freud's “ Mourning and Melancholia . ” Barthes , refusing the Freudian model of mourning , seeks instead to sustain the strength of his grief , but not out of a ...
Seite 102
This is what I take to be the important if latent argument or implication of Fisher's essay : the privatized passion of grief — that is , grief itself — appears at a certain historical moment when the Western world was moving from a ...
This is what I take to be the important if latent argument or implication of Fisher's essay : the privatized passion of grief — that is , grief itself — appears at a certain historical moment when the Western world was moving from a ...
Seite 103
Thus the reversibility of the trajectory of grief to rage which Fisher promised in the beginning of his essay remains only a figure of possibility , glimpsed in Fisher's own reading of Hamlet's grief as a profound and historically final ...
Thus the reversibility of the trajectory of grief to rage which Fisher promised in the beginning of his essay remains only a figure of possibility , glimpsed in Fisher's own reading of Hamlet's grief as a profound and historically final ...
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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