Im Buch
Ergebnisse 1-3 von 47
Seite 127
Primary pedagogic work mystifies emotion as a personal and private matter and conceals the fact that emo- tions are prevailing forms of social life , that personal life always takes shape in social and cultural terms ( Rosaldo ) .
Primary pedagogic work mystifies emotion as a personal and private matter and conceals the fact that emo- tions are prevailing forms of social life , that personal life always takes shape in social and cultural terms ( Rosaldo ) .
Seite 128
cept of emotion in a contradictory way — negatively , in terms of its opposition to reason and rationality ( as the core of the true self ) ; and positively , in terms of its opposition to estrangement and disengagement from the world ...
cept of emotion in a contradictory way — negatively , in terms of its opposition to reason and rationality ( as the core of the true self ) ; and positively , in terms of its opposition to estrangement and disengagement from the world ...
Seite 138
Yet emotion is a vague figure in both discourses , present but also absent in some substantial sense . Emotion appears as a phantom limb , so to speak , more nearly felt than precisely seen , and thus it remains undertheorized and ...
Yet emotion is a vague figure in both discourses , present but also absent in some substantial sense . Emotion appears as a phantom limb , so to speak , more nearly felt than precisely seen , and thus it remains undertheorized and ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial constituted context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmakers Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York