Im Buch
Ergebnisse 1-3 von 69
Seite 37
As the leftovers , the remains , their only function has been to assure the fetishization of desire . In Duras's work , however , that fetishization becomes the motor which undoes its own functioning . This white woman , this blank text ...
As the leftovers , the remains , their only function has been to assure the fetishization of desire . In Duras's work , however , that fetishization becomes the motor which undoes its own functioning . This white woman , this blank text ...
Seite 43
Instead of unlocking the secrets which would explain desire or portend a future , these inversions erase all boundaries of temporality or subjectivity . Even French grammar contributes – “ ses ” confusing grammatical direction and ...
Instead of unlocking the secrets which would explain desire or portend a future , these inversions erase all boundaries of temporality or subjectivity . Even French grammar contributes – “ ses ” confusing grammatical direction and ...
Seite 95
It is well known that in Studies on Hysteria Freud associates affect with the erotic desires which “ his ” hysterical women ... concluding that the exciting cause of her hysterical symptoms was her desire for her dead sister's husband .
It is well known that in Studies on Hysteria Freud associates affect with the erotic desires which “ his ” hysterical women ... concluding that the exciting cause of her hysterical symptoms was her desire for her dead sister's husband .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
American analysis appears argues attempt Auschwitz authority become beginning body camera characters cinema claims constituted context critical critical pedagogy culture death desire discourse discussion distinction dominant drawing effect emotion essay example experience face fact feeling feminine feminist figure film Forster's frame French gaze gender grief human identity individual interest issue jazz kind later lives look male Maus meaning memory mother mourning move narrative never object once organization Passion pedagogy performance photograph picture political position possible postmodern practices present produced provides question racial reference relation representation represents scene seems sense sexual shame shows social space specific story studies suggests swing taken theory things tion University violence vision voice woman women writing York