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I include those pictures which are connected to total death and to public mourning - both pictures of horror and ordinary snapshots or portraits , family pictures defined by their context as much as by their content .
I include those pictures which are connected to total death and to public mourning - both pictures of horror and ordinary snapshots or portraits , family pictures defined by their context as much as by their content .
Seite 173
Shohat is concerned with the effect of power relations in this context of ambivalence and instability on film authorship and the articulation of aesthetic and thematic choices . Ultimately , she is more interested in the refractory ...
Shohat is concerned with the effect of power relations in this context of ambivalence and instability on film authorship and the articulation of aesthetic and thematic choices . Ultimately , she is more interested in the refractory ...
Seite 187
In the " context ” chapters , Flitterman - Lewis demonstrates a thorough knowledge of different periods of French film , the theoretical practices during the periods , and each feminist filmmaker's importance within those contexts .
In the " context ” chapters , Flitterman - Lewis demonstrates a thorough knowledge of different periods of French film , the theoretical practices during the periods , and each feminist filmmaker's importance within those contexts .
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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