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Seite 9
In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human look may be tolerable provided the photograph seem synonymous with the “ real , ” but that such knowledge ...
In a crucial passage from early film theory , André Bazin suggests not only that knowledge of the discreteness of camera and human look may be tolerable provided the photograph seem synonymous with the “ real , ” but that such knowledge ...
Seite 10
And Vilem Flusser , another recent theorist of the camera , proposes that the photographer is nothing more than a “ functionary " of that apparatus ( 19 ) . But the concept of the “ observer ” implies not only an embodied and ...
And Vilem Flusser , another recent theorist of the camera , proposes that the photographer is nothing more than a “ functionary " of that apparatus ( 19 ) . But the concept of the “ observer ” implies not only an embodied and ...
Seite 25
On the flight over the IG Farben company factory still under construction , a pilot clicked his camera shutter and took photographs of the Auschwitz concentration camp . ... The pictures taken in April 1944 arrived for evaluation in ...
On the flight over the IG Farben company factory still under construction , a pilot clicked his camera shutter and took photographs of the Auschwitz concentration camp . ... The pictures taken in April 1944 arrived for evaluation in ...
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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