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Spiegelman's audacious visual / verbal punning not only lays bare the self - consciousness of his textual production a self - reflexivity that disarmingly pervades his text - it also defines from the beginning the two primary elements ...
Spiegelman's audacious visual / verbal punning not only lays bare the self - consciousness of his textual production a self - reflexivity that disarmingly pervades his text - it also defines from the beginning the two primary elements ...
Seite 110
... of wounds and ruptures as its signs , and in particular both the Derridean notion that mourning is located inside language itself and the Lacanian axiom that mourning is structural to the self , which is split from the beginning .
... of wounds and ruptures as its signs , and in particular both the Derridean notion that mourning is located inside language itself and the Lacanian axiom that mourning is structural to the self , which is split from the beginning .
Seite 190
Many readers have remarked upon the increasingly “ autobiographical ” character of Kristeva's work ( beginning , perhaps , with “ Stabat Mater " ) , but this tendency reaches its apogee here and in a rather complex and disturbing way .
Many readers have remarked upon the increasingly “ autobiographical ” character of Kristeva's work ( beginning , perhaps , with “ Stabat Mater " ) , but this tendency reaches its apogee here and in a rather complex and disturbing way .
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Inhalt
Maus Mourning and PostMemoryPR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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