Discourse, Band 15,Ausgaben 2-31993 |
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Seite 132
... Bebop's opponents complained about the inaccessibil- ity and undanceability of the music , the " wrong notes " and excessive musical acrobatics , the elitism , hostility , and avant- garde posturing of the musicians , their ...
... Bebop's opponents complained about the inaccessibil- ity and undanceability of the music , the " wrong notes " and excessive musical acrobatics , the elitism , hostility , and avant- garde posturing of the musicians , their ...
Seite 150
... bebop revolutionaries were confronted at the out- set not only with a recalcitrant musical legacy , but also with a new but already entrenched discursive formation , fashioned and con- figured during the dixieland - swing war . Although ...
... bebop revolutionaries were confronted at the out- set not only with a recalcitrant musical legacy , but also with a new but already entrenched discursive formation , fashioned and con- figured during the dixieland - swing war . Although ...
Seite 151
... bebop was defined , explicated , defended , and criticized — in general , " received " in the jazz world — in terms of the aesthetic discursive formation previously generated by the revivalist war is not to deny that the bebop war did ...
... bebop was defined , explicated , defended , and criticized — in general , " received " in the jazz world — in terms of the aesthetic discursive formation previously generated by the revivalist war is not to deny that the bebop war did ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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