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Seite 178
Here once again he makes a very convincing case that critical categories which were formerly used in the analysis of film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship .
Here once again he makes a very convincing case that critical categories which were formerly used in the analysis of film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship .
Seite 195
Kristeva's polemical aims would have been better served had she developed her historical analysis to the point where she could establish the links among the emergence of psychoanalysis ( the then - scandalous and ruthlessly persecuted ...
Kristeva's polemical aims would have been better served had she developed her historical analysis to the point where she could establish the links among the emergence of psychoanalysis ( the then - scandalous and ruthlessly persecuted ...
Seite 65
Silverman : But in my opinion Godard has always functioned as though there were no difference between making a film and writing a complex film analysis . In Le Gai Savoir , for instance , where the manifest project is the analysis of ...
Silverman : But in my opinion Godard has always functioned as though there were no difference between making a film and writing a complex film analysis . In Le Gai Savoir , for instance , where the manifest project is the analysis of ...
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Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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