Discourse, Band 15,Ausgaben 2-31993 |
Im Buch
Ergebnisse 1-3 von 29
Seite 11
... aesthetic . In tak- ing us from documentary photographs to drawings of mice and cats , Spiegelman lays bare the levels of mediation that underlie all visual representational forms . But confronting these visual media with his father's ...
... aesthetic . In tak- ing us from documentary photographs to drawings of mice and cats , Spiegelman lays bare the levels of mediation that underlie all visual representational forms . But confronting these visual media with his father's ...
Seite 26
— Maus represents the aesthetic of the trauma fragment , the aesthetic of the testimonial chain an aesthetic that is indistin- guishable from the documentary . It is composed of individually framed fragments , each like a still picture ...
— Maus represents the aesthetic of the trauma fragment , the aesthetic of the testimonial chain an aesthetic that is indistin- guishable from the documentary . It is composed of individually framed fragments , each like a still picture ...
Seite 133
... aesthetics of jazz could take place , and without which the claim that jazz is an art form would be merely an abstraction or an incantation . The revivalists and modernists were slowly and collectively shaping and honing this new aesthetic ...
... aesthetics of jazz could take place , and without which the claim that jazz is an art form would be merely an abstraction or an incantation . The revivalists and modernists were slowly and collectively shaping and honing this new aesthetic ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmaker Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theoretical theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York