Discourse, Band 15,Ausgaben 2-31993 |
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Seite 58
... Isabelle discusses factory problems with her fellow work- ers , sound proceeds almost always from off - screen and is mapped over faces with which it is in one way or another discontinuous . It's not so easy to make sense of this ...
... Isabelle discusses factory problems with her fellow work- ers , sound proceeds almost always from off - screen and is mapped over faces with which it is in one way or another discontinuous . It's not so easy to make sense of this ...
Seite 70
... Isabelle also insists upon the equivalence of these categories . " I believe , ultimately , that work is the same as pleasure , " she observes , " not the same speed , but the same gestures . " But it is in the scene where Jerzy and ...
... Isabelle also insists upon the equivalence of these categories . " I believe , ultimately , that work is the same as pleasure , " she observes , " not the same speed , but the same gestures . " But it is in the scene where Jerzy and ...
Seite 71
... Isabelle and Jerzy prepare for sex , the film effects a similar convergence of sacred and carnal sex . The sequence begins with a shot of Isabelle sitting on the edge of the bed and reciting the Agnus Dei . Jerzy repeats the Agnus Dei ...
... Isabelle and Jerzy prepare for sex , the film effects a similar convergence of sacred and carnal sex . The sequence begins with a shot of Isabelle sitting on the edge of the bed and reciting the Agnus Dei . Jerzy repeats the Agnus Dei ...
Inhalt
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Urheberrecht | |
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