The Lives of the Most Eminent British Painters, Sculptors, and Architects, Band 2John Murray, 1830 |
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Seite 19
... present to aid in his equipment for Italy . " The plodding citizens of New York rose in the painter's estimation at least fifty per cent . Two merchants in Leghorn , Messrs . Jackson and Rutherford , received him kindly , and , with ...
... present to aid in his equipment for Italy . " The plodding citizens of New York rose in the painter's estimation at least fifty per cent . Two merchants in Leghorn , Messrs . Jackson and Rutherford , received him kindly , and , with ...
Seite 20
... present a young American , who has a letter for your Eminence , and who has come to Italy for the purpose of studying the Fine Arts . ' The Cardinal knew so little of the New World , that he conceived an American must needs be a savage ...
... present a young American , who has a letter for your Eminence , and who has come to Italy for the purpose of studying the Fine Arts . ' The Cardinal knew so little of the New World , that he conceived an American must needs be a savage ...
Seite 33
... present Royal Academy was planned . The Society of Incorporated Artists , of which he was a member , had grown rich by yearly exhibi- tions , and how to lay out this money became the subject of vehement debate . The Architects were for ...
... present Royal Academy was planned . The Society of Incorporated Artists , of which he was a member , had grown rich by yearly exhibi- tions , and how to lay out this money became the subject of vehement debate . The Architects were for ...
Seite 36
... present is a great battle fought and won , and the same truth which gives law to the historian should rule the painter . If instead of the facts of the ac- tion I introduce fictions , how shall I be understood by posterity ? The classic ...
... present is a great battle fought and won , and the same truth which gives law to the historian should rule the painter . If instead of the facts of the ac- tion I introduce fictions , how shall I be understood by posterity ? The classic ...
Seite 41
... present patrons were involved in the bloody controversy . He was not , according to his own account , silent ; he was too much in the palace and alone with his Majesty to avoid some allusion to the strife ; the King in- quired anxiously ...
... present patrons were involved in the bloody controversy . He was not , according to his own account , silent ; he was too much in the palace and alone with his Majesty to avoid some allusion to the strife ; the King in- quired anxiously ...
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Häufige Begriffe und Wortgruppen
admired Amelia Opie amongst appeared artist Barry Barry's beauty Bird Blake brethren Burke called character colours companion composition conceived copy Correggio death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham figures finished fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell heard Henry Fuseli historical honour imagination JAMES BARRY kind King knew labour lady Lazar House letter lived London looked Lord Lord Grosvenor master merit Michael Angelo Milton mind Morland nature ness never Opie original painter painting patrons pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare produced Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakespeare Sir Joshua sketches skill song spirit talents taste temper thing thought tion Titian Urizen verse visions West wife wild wish young
Beliebte Passagen
Seite 142 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?
Seite 181 - Thames' waters flow. O what a multitude they seem'd, these flowers of London town! Seated in companies they sit with radiance all their own. The hum of multitudes was there, but multitudes of lambs, Thousands of little boys and girls raising their innocent hands. Now like a mighty wind they raise to heaven the voice of song, Or like harmonious thunderings the seats of heaven among. Beneath them sit the aged men, wise guardians of the poor; Then cherish pity, lest you drive an angel from your door.
Seite 181 - LAUGHING SONG. WHEN the green woods laugh with the voice of joy, And the dimpling stream runs laughing by ; When the air does laugh with our merry wit, And the green hill laughs with the noise of it ; When the meadows laugh with lively green, And the grasshopper laughs in the merry scene ; When Mary and Susan and Emily With their sweet round mouths sing •- Ha ha he...
Seite 148 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me — Pipe a song about a lamb ; So I piped with' merry cheer. Piper, pipe that song again — So I piped — he wept to hear.
Seite 142 - TO THE MUSES. WHETHER on Ida's shady brow Or in the chambers of the East, The chambers of the Sun, that now From ancient melody have ceased ; Whether in heaven ye wander fair Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth...
Seite 36 - West has conquered ; he has treated his subject as it ought to be treated ; I retract my objections. I foresee that this picture will not only become one of the most popular, but will occasion a revolution in art.
Seite 165 - What is it that builds a house and plants a garden, but the definite and determinate ? What is it that distinguishes honesty from knavery, but the hard and wirey line of rectitude and certainty in the actions and intentions ? Leave out this line, and you leave out life itself; all is chaos again, and the line of the almighty must be drawn out upon it before man or beast can exist.
Seite 143 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Seite 213 - ... with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude.
Seite 148 - WHEN my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry " 'weep ! 'weep ! 'weep ! 'weep !" So your chimneys I sweep, and in soot I sleep.