English Comedy: Its Role and Nature from Chaucer to the Present DayChatto & Windus, 1975 - 288 Seiten |
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Seite 19
... certainly the characteristics of the Old Comedy - now represented only by Aristophanes — seem appropriate to such origins . As The Oxford Companion to the Theatre ( ed . P. Hartnoll , London 1951 ) points out , the very word is ...
... certainly the characteristics of the Old Comedy - now represented only by Aristophanes — seem appropriate to such origins . As The Oxford Companion to the Theatre ( ed . P. Hartnoll , London 1951 ) points out , the very word is ...
Seite 60
... Certainly the Church preferred to counter - attack by de- nunciation and , latterly , the use of the Inquisition . Moreover , as a patristic body it was not naturally adapted to comedy , and it dis- approved of laughter almost as much ...
... Certainly the Church preferred to counter - attack by de- nunciation and , latterly , the use of the Inquisition . Moreover , as a patristic body it was not naturally adapted to comedy , and it dis- approved of laughter almost as much ...
Seite 84
... certainly not , for example , firmly on the side of puritan individualism , and he certainly is , with reservations , on the side of degree and Order . But his comedies are varied in matter and rather Chaucerian in manner . There is a ...
... certainly not , for example , firmly on the side of puritan individualism , and he certainly is , with reservations , on the side of degree and Order . But his comedies are varied in matter and rather Chaucerian in manner . There is a ...
Inhalt
Acknowledgements page | 9 |
Origin and Nature of Comedy | 17 |
Critical Terminology | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
absurd action attack attitude Augustan better bourgeois bourgeoisie brave new world Butler celebratory century Chap characteristic characters Chaucer civilisation comic satire concerned Congreve conserving Country Wife Courtly Love critical cynical divertisement Dorimant drama dramatists dream Dryden effect element English Erewhon Essay ESTRAGON Etherege example fact farce feelings folly funny give human nature humorous ideal ideas implied innovatory integration irony James Joyce Jane Austen Jonson Joyce laughter less literary literature London M. C. Bradbrook marriage medieval mode modern mood moral never novel parody Peacock perhaps period play plot poem Pope psychological Puritans reason Reformation releasing Restoration comedy romantic satire satirise seems sense Sense and Sensibility sensibility sentimental Shakespeare Shamela Shaw Shelley social society sort structure style symbolic Tale tend texture theme things thou tone tragedy Twelfth Night values verse virtue Volpone whole witty writers
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