Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 56
... written most of both parts of Henry IV . The dramatist of The Merchant of Venice and Henry IV was in no way unso- phisticated or unambitious . If he gave the three come- dies we now choose to call ' mature ' his most throw- away titles ...
... written most of both parts of Henry IV . The dramatist of The Merchant of Venice and Henry IV was in no way unso- phisticated or unambitious . If he gave the three come- dies we now choose to call ' mature ' his most throw- away titles ...
Seite 386
... written in an in- tensely courtly medium - in the sixteenth century the sonnet was a courtly form throughout Europe ; and Shakes- peare's themes are always aware of this courtly context , even when they challenge it . Their intellectual ...
... written in an in- tensely courtly medium - in the sixteenth century the sonnet was a courtly form throughout Europe ; and Shakes- peare's themes are always aware of this courtly context , even when they challenge it . Their intellectual ...
Seite 421
... written be taken into account . To me , Prospero does not sound here like a man going through a crisis of the soul , being wrenched from one course of action to another that is fundamentally different . There is not here the sense of ...
... written be taken into account . To me , Prospero does not sound here like a man going through a crisis of the soul , being wrenched from one course of action to another that is fundamentally different . There is not here the sense of ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York