Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 46
... women ? If a woman's voice was raised in the critical debate , I missed it . In the past , of course , there would have been no such voice , except from the reminiscences of a few celebrated actresses . How different our theatrical ...
... women ? If a woman's voice was raised in the critical debate , I missed it . In the past , of course , there would have been no such voice , except from the reminiscences of a few celebrated actresses . How different our theatrical ...
Seite 50
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " 2 In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire ...
... women by allowing Rosalind to rewrite the fictions which seem to surround her . " 2 In doing so she opens the play world to the women in the audience . The Orlando Furioso predicates female cruelty as a spur to male desire ...
Seite 51
... women , as Harington had offered women readers of his Orlando , the opportunity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor created fictions of sexuality which could speak to ...
... women , as Harington had offered women readers of his Orlando , the opportunity to rewrite the record . The implied accusation , that the Queen had not rewritten the male narrative , nor created fictions of sexuality which could speak to ...
Inhalt
Histories | 19 |
Karl F Zender Isabellas Choice | 69 |
Erotic | 91 |
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York