Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 87
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
... woman s / he enacts is never to be only a woman , while to the extent that she becomes fully a woman in the conclusion , her erotic performance cannot be seen as successfully apotropaic . As You Like It can perhaps be distinguished in ...
Seite 89
... woman cannot use language performatively without being at least partly a man . The only form in which a woman as woman can " give " herself is in a bequest , when she has , as it were , died as a woman and taken on a male tongue . Oth ...
... woman cannot use language performatively without being at least partly a man . The only form in which a woman as woman can " give " herself is in a bequest , when she has , as it were , died as a woman and taken on a male tongue . Oth ...
Seite 314
... woman , yet is she her own creatress , as a picture . Indeed a plain woman is but half a painted woman , who is both a substantive and an adjective , and yet not of the neuter gender : but a feminine as well consorting with a masculine ...
... woman , yet is she her own creatress , as a picture . Indeed a plain woman is but half a painted woman , who is both a substantive and an adjective , and yet not of the neuter gender : but a feminine as well consorting with a masculine ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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