Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 29
... wise clearly populated Shakespeare's imagination . In a contemporary attack on the consequences of cloth - trade stoppages in the Cotswolds , for instance , it almost seems that we meet Autolycus in the observer's description of ...
... wise clearly populated Shakespeare's imagination . In a contemporary attack on the consequences of cloth - trade stoppages in the Cotswolds , for instance , it almost seems that we meet Autolycus in the observer's description of ...
Seite 58
... wise comfort ( and the word comfort actually means ' self - strengthen- ing ' ) angrily rejected in the grieving scene by the pas- sionate Leonato . The music of the tomb - scene , shortly after , though saying nothing true , can still ...
... wise comfort ( and the word comfort actually means ' self - strengthen- ing ' ) angrily rejected in the grieving scene by the pas- sionate Leonato . The music of the tomb - scene , shortly after , though saying nothing true , can still ...
Seite 165
... wise Romans , [ who ] as they en- larged their conquests , so did they spread their language ” ; instead , those whom he called the " English - Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since ...
... wise Romans , [ who ] as they en- larged their conquests , so did they spread their language ” ; instead , those whom he called the " English - Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York