Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 134
... tragic spectacles , the play looks more comic than tragic , at least in the broad sense that theater of the absurd is essentially comic . Richard II is more than anything else a study of absurdity : rhetorical , historical and political ...
... tragic spectacles , the play looks more comic than tragic , at least in the broad sense that theater of the absurd is essentially comic . Richard II is more than anything else a study of absurdity : rhetorical , historical and political ...
Seite 135
... tragic death . However , Richard's death is but the climax of Scene 5 , and it may take on a tragic quality from what has gone before , most notably Richard's dungeon soliloquy , where some commentators find the culmination of a process ...
... tragic death . However , Richard's death is but the climax of Scene 5 , and it may take on a tragic quality from what has gone before , most notably Richard's dungeon soliloquy , where some commentators find the culmination of a process ...
Seite 399
... tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the tragic genre and an abandonment of the central word - mode which nour- ishes tragedies , that is ...
... tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the tragic genre and an abandonment of the central word - mode which nour- ishes tragedies , that is ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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