Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 151
... tion , not Henry's disloyalty or guile ; no question about his character even arises.40 9941 Adopting a perspective that is prominent in contemporary criticism of Shakespeare's play , Branagh shapes the film into a " bildungsroman ...
... tion , not Henry's disloyalty or guile ; no question about his character even arises.40 9941 Adopting a perspective that is prominent in contemporary criticism of Shakespeare's play , Branagh shapes the film into a " bildungsroman ...
Seite 186
... tion of a whole society through the interaction of multiple minor characters at every level . Henry cannot act as a private person without costly public exposure to com- ment , which the divorce trial elicits from the court and the ...
... tion of a whole society through the interaction of multiple minor characters at every level . Henry cannot act as a private person without costly public exposure to com- ment , which the divorce trial elicits from the court and the ...
Seite 191
... tion interfering with another , as Tillyard's grand scheme of Tudor historiographic narrative meets Coke's local sense of the question of the Elizabethan succession . But further analysis of Hayward's utterance as utterance reveals how ...
... tion interfering with another , as Tillyard's grand scheme of Tudor historiographic narrative meets Coke's local sense of the question of the Elizabethan succession . But further analysis of Hayward's utterance as utterance reveals how ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York