Im Buch
Ergebnisse 1-3 von 81
Seite 301
But there are limits to the view of a prior self with immutable traits attracting appropriate and interchangeable stories once they cross the orbit of its power . The self that is interested in the story is also changed by it .
But there are limits to the view of a prior self with immutable traits attracting appropriate and interchangeable stories once they cross the orbit of its power . The self that is interested in the story is also changed by it .
Seite 376
These final , poignant movements of Ovid's story seem to be subtly evoked in the last scene of Cymbeline . Posthumus mistakes Imogen for a page , strikes her so that she falls , and then , when her identity is revealed , is so moved by ...
These final , poignant movements of Ovid's story seem to be subtly evoked in the last scene of Cymbeline . Posthumus mistakes Imogen for a page , strikes her so that she falls , and then , when her identity is revealed , is so moved by ...
Seite 377
( XI.537-48 ) In Cymbeline there are no references to the story of Danaë , " s but this passage does bear a certain affinity to a passage in the play . Notice the verbal echoes in the following aside by Cloten , who is planning to bribe ...
( XI.537-48 ) In Cymbeline there are no references to the story of Danaë , " s but this passage does bear a certain affinity to a passage in the play . Notice the verbal echoes in the following aside by Cloten , who is planning to bribe ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
31 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York