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Seite 110
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Seite 184
In practice , we found that the three plays display a unique stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , Viji.190 ) unexpectedly combined with exploitation of the ...
In practice , we found that the three plays display a unique stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , Viji.190 ) unexpectedly combined with exploitation of the ...
Seite 312
... however , what the debate over literacy obscures is a much more explosive expansion of the symbolic economy - the one produced by the fiercely contested emergence and rapid institutionalization of the popular stage . grief which do ...
... however , what the debate over literacy obscures is a much more explosive expansion of the symbolic economy - the one produced by the fiercely contested emergence and rapid institutionalization of the popular stage . grief which do ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York