Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 12
... sound in their own language . Sir Toby's first words after her exit - ' A very dishonest paltry boy , [ / ] and more a coward then a Hare ' — are readily heard as two nearly perfect iambic tetrameters ; Sir Andrew's ' Slid Ile after him ...
... sound in their own language . Sir Toby's first words after her exit - ' A very dishonest paltry boy , [ / ] and more a coward then a Hare ' — are readily heard as two nearly perfect iambic tetrameters ; Sir Andrew's ' Slid Ile after him ...
Seite 340
... sound fair are to be feared , and perhaps Banquo's cautious self ap- prehends the fact that things that sound fair are to be feared because they are , in the proof , foul . ' The fear - fair sound - pun mirrors fair - foul ; something ...
... sound fair are to be feared , and perhaps Banquo's cautious self ap- prehends the fact that things that sound fair are to be feared because they are , in the proof , foul . ' The fear - fair sound - pun mirrors fair - foul ; something ...
Seite 416
... sound - the ominous sound of thunder and of lightning ( I'm not entirely clear what light- ning sounds like ) . In the shorthand of drama , this sound of the elements threatening human life can immediately establish a mode in which ...
... sound - the ominous sound of thunder and of lightning ( I'm not entirely clear what light- ning sounds like ) . In the shorthand of drama , this sound of the elements threatening human life can immediately establish a mode in which ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York